
In American culture—and never more so than in a presidential election year—we hear a lot of huffery-puffery about democracy. It's a touchstone of American life that everything should be available to everyone. It's a pretty good springboard to all kinds of commerce. And it sure sounds good.
But is it really true for fine wine? Please note the emphasis on "fine." The late Robert Mondavi would surely have replied, "You bet it is." He built his empire on a surprisingly populist notion of bringing fine wine to the masses.
Of course, when that effort started, exemplified by Mondavi's always reliably good Napa Valley Cabernet, the wine-drinking "masses" were much smaller than they are today, with much thanks for their now increased numbers going, of course, to Mondavi's very efforts.
Since that early and profoundly influential effort (which began in 1966 and gained steam in the 1970s), much has changed. Wine is now "normal," which is nothing less than astonishing considering that it was only a few decades ago that wine in America was anything but.
Today, we face a new reality. Simply put, it's this: The conflict of our (wine) time is that the more wine has become democratized, the more we expect to be able to find a limitless supply of what we want, whenever we want it.
For silicon chips or potato chips, this limitless horizon of democratic availability is real. But for wine—genuinely fine wine—you quickly reach a point of literally diminishing returns.
The reason is simple: The good stuff comes from somewhere, a plot of land in a certain microclimate that has physical limits. This is why single-vineyard designations on labels, however persnickety they may seem, will persist.
Winemakers like to crow about the superiority of wines blended from multiple sites. This plays to their professional sum-greater-than-its-parts prowess. But privately they know that blending is important only because most vineyards aren’t good enough to stand alone. Or that their commercial need exceeds their supply of truly choice grapes. Either way, it’s making a virtue out of a necessity.
Nobody ever got rich (or elected) in America by being openly elitist. Instead, the trick is to pretend to make "privilege" available to everybody. This is the secret to the success of both Napa Valley and Las Vegas, to say nothing of pretty much every so-called luxury brand in the world today.
"The Big Lie of our time is that you can have all the quality that comes from artisanal craftsmanship and true fine-wine grape sourcing available to you in unlimited quantity and limitless distribution wherever you go."
But is it true for wine? One thing is certain: A lot of forces would like you to think so. It's why we see so many ultra-heavy bottles, long corks, glossy wines with Teflon textures and bright fruitiness. And, of course, the high prices that signal high quality. (How good can a wine be if it’s cheap?) This is Wine Marketing 101 and we all know it.
So here it comes: In today's 21st-century wine world there are now really two kinds of fine wine. There's the faux-fine wine for the masses and the real fine wine for the elite. The difference is easily distinguished. Faux-fine is replicable and can be scaled-up as needed to meet demand. Real-fine is distinguished (and limited) by its originality. You can bristle all you like at such a description, but it's so.
The secret of today's new wine democracy, the actual, functioning, real democracy, is that admittance to the so-called elite is, ironically, quite wonderfully democratic. Anybody can get in. You have only to have the interest. (You thought I'd say, "the money," but—hah!—not so. Many of today's genuinely fine, "elite" wines cost surprisingly little.)
The new wine democracy is not about money, but rather how much effort you're willing to expend. Are you willing (and sufficiently interested) to read about and then hunt down all those thrilling little producers in the Loire Valley, in Spain, Portugal, Oregon, Greece, New Zealand and the unheralded nooks and crannies of California? If you are—and you actually do it—you're in. Welcome to the wine elite.
But if you're not, then you're being played. The Big Lie of our time is that you can have all the quality that comes from artisanal craftsmanship and true fine-wine grape sourcing available to you in unlimited quantity and limitless distribution wherever you go. It ain't so. Anybody who tells you it is so has a powerful vested interest in making you believe the Big Lie.
Oh, you can get good, technically well-made wine in quantity with vast distribution. Indeed, that's the technological and marketing achievement of our time. But the real, true fine wine? As the best New York connoisseurs would say, "Fuhgeddaboudit."
This is not something that many of my wine-writing colleagues care to discuss, as it leaves a no-room-at-the-inn aftertaste of exclusion.
But it's real. Indeed, it's one of the underlying, even subconscious, roots of a recent journalistic kerfuffle after New York Post restaurant critic Steve Cuozzo "grumped" about restaurant wine lists being “100% inscrutable” (his words).
Mr. Cuozzo complained about not recognizing any of the wines on a restaurant wine list. But it wasn't his ignorance that incited his howl. Rather, his self-esteem was bruised. The list's underlying message was that he was not among the wine elite. It was a list designed, in a velvet-rope fashion, precisely to let you know who you are—or what you're not.
Fine wine today truly is a democracy. Anybody can gain citizenship. But you've got to want in. And you've got to make the necessary effort. Beware the populists, the sorts who say that you can learn a foreign language in 10 days with no effort. Or that you can know about—and find—fine wine without any effort. It's a Big Lie. And that's the truth.
John Lahart — New York NY — August 21, 2012 12:53pm ET
Don Clemens — Elgin, IL USA — August 21, 2012 12:54pm ET
As usual, Mr. Kramer hits the bulls-eye. "Location, location, location" - it's a simple (probably over-used)expression, but it's absolutely true that truly fine wine can only come from a very specific place. The underpinning of the concept of terroir requires that a wine be identifiably from a place, with the touch of a winemaker who understands that place.
Bruce Nichols — Naples, — August 21, 2012 1:31pm ET
Matt, this is quite a statement: "But privately they know that blending is important only because most vineyards aren’t good enough to stand alone." ?????
Seriously? I wonder what Jean Phillipe Delmas or Frederic Engerer, or for that matter, any Bordeaux winemaker would say about that!!!
David W Voss — elkhorn, Wi — August 21, 2012 2:30pm ET
Interesting what some people pick out of your article to complain about. Over the last two weeks for example the on-line WS has posted reviews of several red wines that have extremely high reviews and limited availability with high prices. These are not general winelover wines as only a relative handful were under $100 a bottle. Since I am retired and not a 1%er I ignore most wines over $100 unless I have consumed them in the now distant past.
John Lahart — New York NY — August 21, 2012 3:07pm ET
Good points.
Not all single vineyards are equal. There is the problem of large single vineyards where various blocks within their bounds are not "equal." There is also the problem with this thinking given that simply locating and naming a plot of vines offers no guarantees as to quality.
It is also absolutely true that bad wines come from a "place." Not all Clos Vougeot is equal. In the end the wine maker usually trumps all.
Another problem with some thinking these days is that small trumps big. The problem is in defining "small" and "big" drawing lines means engaging in elitism--that is setting standards.
I think the real problem in play here is not elitism vs populism but the point where elitism becomes snobbery. Wine is far too complex--there are hundreds (thousands) of places making a wide range of styles from hundreds of grapes and blends. If Mr Kramer expects consumers to "work" to find fine wine then the wine trade can work even harder to make finding that wine easier.
Kevin Harvey — Santa Cruz, CA, USA — August 21, 2012 3:10pm ET
This is the best wine column I have read in a long time.
Kudos to Matt for having the courage to write it!!
Matt Kramer — Portland, OR — August 21, 2012 3:12pm ET
Mr. Nichols: I can easily understand your wondering about my assertion that "blending is important only because most vineyards aren’t good enough to stand alone".
You ask what Jean-Phillipe Delmas (the winemaker of Château Haut-Brion) and Frédéric Engerer (the winemaker of Château Latour) would make of this assertion.
Of course, I cannot answer for them. But I can say this much: Centuries ago, Bordeaux recognized that blending was essential not only because few vineyard sites are truly "stand-alone" but also--and most compellingly--because Bordeaux's rain-susceptible autumn climate had winegrowers vulnerable to crop losses (or poor quality) for later-ripening grapes such as Cabernet Sauvignon.
Thus emerged, for this and other reasons such as seeking enhanced depth of color (Petit Verdot) and richer fruitiness and softness (Merlot) the classic, if widely varying, grape blend of Cabernet Sauvignon, Cabernet Franc, Merlot, Malbec and Petit Verdot that we know today.
Each of these varieties performs better in some soils than in others. Merlot, for example, likes soils with more clay. A vineyard soil ideal for Merlot is generally less so for, say, Cabernet Sauvignon.
Knowing this, you can see why my assertion that "most vineyards aren't good enough to stand alone" applies to Bordeaux, especially to the Médoc. The grape variety blend precludes it.
Bordeaux wine is a mosaic in every sense. Many seemingly single vineyards among the classed growths of the Médoc are not contiguous, although some certainly are. Remember, in Bordeaux the chateau name is a brand rather than an indicator of a particular vineyard site--unlike in Burgundy where the "brand", e.g., Chambertin, applies to the land.
Harvey Steiman — San Francisco, CA — August 22, 2012 1:04pm ET
Matt and I have been having this discussion, or a variation thereof, for, oh, centuries. My assertion is that what makes a wine "fine" is a balance of elements involving aroma, flavor, texture and structure that produces a complex, pleasing, distinctive whole. There are indeed magical sites where it all comes together beautifully with one grape variety in one place. Other wines, like great Bordeaux or, say, Grange in Australia, make great wines by using fine sites differently, either by blending grapes or great sites that are complementary. In my view, a fine wine must feel complete. If you get there by combining sites or varieties, that's fine with me. Matt may disagree.
Peter Leeman — M I A M I — August 22, 2012 2:22pm ET
Is this just another way of saying "somewhereness" as opposed to "anywhereness"?
While there are many high scoring blends of "grape punch" out there, the best of the best is single vineyards with smaller yields. Rarely do these properties have oceans of juice, so to the savvy its easier to separate the wheat from chaff!
Douglas Johnson — Appleton, WI — August 22, 2012 6:31pm ET
In the immortal words of Col. Sherman Potter, "Horsepucky". I agree with the sentiments of Messrs. Lahart and Voss. I wonder, will Wine Spectator Reviews now indicate whether a wine is a faux-fine wine or a real fine wine?
Mosen Defrawy Md — Irvine, CA — August 22, 2012 8:43pm ET
What a great insightful article!
Richard V Folga — Anacortes, WA — August 22, 2012 9:11pm ET
Matt,
Your columns are in my top five reasons to keep my subscription. The more you rumple the roosters (or the occasional know-it-all blowhard snob) the more I want to read. Keep up the great work. It more than makes up for the recycled spirits and whiskey filler.
Everyman
Kathi Allen — Clearwater, FL — August 23, 2012 6:20am ET
Such an interesting, informative & insightful article. Matt Kramer clearly knows his stuff.....Thanks!
John Lahart — New York NY — August 23, 2012 12:53pm ET
Harvey Steiman puts it nicely.
IMOP his is the more reasonable view. Even when I disagree, Kramer does provide a lot of food for thought.
There are two distinct approaches to wine--hedonistic and intellectual. Everyone finds their comfort level on this scale--somewhere from one end to the other.
Unfortunately, the more intellectual the approach the more easily one can descend into snobbery. There is a trend ongoing that has embraced what Terry Theise describes as "wine dogma." Small is good, big is bad. Stainless steel good, oak bad, single vineyard good blending bad and on and on.
There are anointed wine makers, and even importers. The problem is a lot of straw men are being peddled. A lot of myths based on faulty conventional wisdom are being promoted. The intentions of the wine maker often trump the enjoyment of the wine.
In the end, the forgotten man (woman) in all this is the consumer. I would ask which is preferred:
a wine of unknown origin that one enjoys on a visceral level
or
a wine with a great back story that doesn't taste that good?
Vince Liotta — Elmhurst Illinois — August 24, 2012 8:40pm ET
Each time Mr. Kramer writes one of these pieces manifesting his search for authenticity, there is always a divisive reaction. Those that appreciate its undeniable truth and those, supported by Harvey S., that take exception to its elitism (or exclusionism), but none more eloquently than John Lahart above.
What Mr. Lahart finally makes specific after many posts and many offended responses is that customers feel "forgotten". The search for authenticity, though a noble one indeed, is an ideal which ignores the practical reality of popular taste and fashiion. Can a wine, no matter how critically great and site specific, gain its proper place in total isolation to the world of popularity and fashion?
Using a music analogy (which seems to be popular), no composer has reached the level of acclaim of Mozart. His music was technically brilliant and clearly expressive of the time and place in which he lived. But for all this genius, it was his ability to please the people, to know what they wanted which raised him to a level above lets say, Chopin ( a personal favorite and I believe even more creative at least on the piano).
But as my beloved uncle, himself a professional classical musician, once told me, ultimately, even Mozart was silly. I must confess, as a child, I was troubled by why he would say this about the composer he had proclaimed to be the greatest ever, but I later realized that what this intensely serious man was telling me is that we should never take ourselves, our music or our wine too seriously. As mere mortals, our reality will always be tempered by what is popular and what is fashionable.
Tom
Tom Blair — Little Silver, NJ — August 26, 2012 7:58am ET
Interesting article, but a couple thoughts.
To think that blending wines from different plots is a weakness is a gross oversimplification. Some single Vinyards are not good no matter how small and specific and nomatter how impressive sounding the name.
The biggest point I take from the article is that a lot of expensive and large production wines, over-extracted wines, ones with impressive bottles and labels, is more marketing than a wine that reflects the something unique about the location from which it came.
I think he wants us to go exploring. Find the unique wines that oly come from their locale. Enjoy well made wines that let you experience the terroir. Have a Pinot or gamay from Loire; a barbara, a primitivo from Croatia. Go forth and find honest well made wines that tell you about their origin. Read, research, drink (he best part) and you will find great wines (even if the do not have a 95 from WS).
Just my take. The article is more a challenge than an indictment.
Tom
Craig Mason — X — August 26, 2012 9:44am ET
A person does not have to spend more than $20 on a bottle to drink well. Only if he wants to. There are a surprising number of good wines available for less than half that. But you have to look and find them yourself.
A way to jump the curve is to realize everyone seems to score wines but there is no system that scores the raters.
Matt has said we are living in wine's Golden Age. I agree.
Laura Pearl — Glenview, IL — September 3, 2012 11:48am ET
You can play baseball or you can study statistics and compare the performance of your fantasy draft picks. Both can provide enjoyment. Some people enjoy wine with their brains; others with their noses and palates. For others, pure scarcity value and any attendant bragging fights are most important. Small producers and single vineyards can produce carefully crafted wines, but they are also scarce by definition. Those of us who buy select $20 wines at Costco that we enjoy tremendously suspect the snobs of valuing scarcity over all.
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Really, who specifically is selling this "big lie?"
Who actually believes it?
This whole "elitist" thing is really a non issue. If offering vague terms like "real" (really, "real fine wine as opposed to???) and notions like single vineyard wines are "better?" isn't creating an elitist view of the wine world, I don't know what is.
Most consumers buy wine because they like it. The marketing 101 stuff only gets the marketer so far. There's the all important leap from trial to repurchase. (maybe that's marketing 102).
Cuozzo's complaint has nothing to do with "ignorance" or "self esteem" it is his opinion that the wine list in question represented a philosophical approach to wine he does not agree with. That approach is distinctly elitist. It is IMOP at least as elitist as the view that only top Bordeaux and Burgundy count.
Cuozzo's belief is that it is how a wine tastes that matters. To anyone who holds an elitist view of wine that is a distinctly populist viewpoint. In the end though, elite or populist, I don't know anyone who drinks wine they do not on a visceral level, like and enjoy. So maybe we are really all populists! (now there's an elitist view of things!)