Twenty-five years ago, Michael Broadbent, then wine department director at the venerable London auction house Christie's, pounded down his gavel and sold the most expensive bottle of wine ever auctioned after less than two minutes of bidding. It was a small hand-blown bottle with "Lafitte 1787" and "Th.J." engraved on the glass and it brought in more than $155,000. This was the first of the so-called Jefferson Bordeauxs, a collection of wines that German dealer Hardy Rodenstock claimed were found in a walled-up cellar in Paris. Both Rodenstock and the Christie's catalog suggested that the evidence was overwhelming that this wine had been ordered for Thomas Jefferson.
Now that expensive bottle is exhibit A in
Christie's is Koch's biggest target to date, a culmination of an investigation that Koch claims has cost $7 million. The house, which started operations in 1766, is the oldest name in wine auctions. What's more, Koch's suit is a direct shot at the credibility of Broadbent, who auctioned the Jefferson Lafite and tasted many of Rodenstock's rare old wines. Koch claims to have found several confidential witnesses that can back up his allegations. Two are German engravers who say Rodenstock hired them to carve the initials into the Jefferson bottles with modern tools. Others are former Christie's employees who, the suit alleges, say that Broadbent and the auction house were lax about counterfeits. "Some would say Broadbent was duped by Hardy," Koch told Wine Spectator. "I say that's bullshit."
Long a passionate collector of art and western memorabilia, Koch began buying rare old wines in the late 1980s. By the end of 2005, he had amassed a 40,000-bottle cellar under his Palm Beach home worth an estimated $12 million. He focused on Bordeaux, trying to build verticals of the first-growths stretching back well into the 19th century. As a history buff, Koch found the Jefferson Bordeauxs doubly irresistible. He bought four he claims were sourced from Rodenstock, through various merchants, for a total of $311,804. They were ostensibly a 1787 and a 1784 Branne Mouton (now Mouton-Rothschild), a 1784 and a 1787 Laffite (now Lafite Rothschild).
Even though he never bought Jefferson Bordeauxs from Christie's, Koch said, "The reason I bought the Jefferson wines is because Michael Broadbent authenticated them. Without him having put his stamp of approval on Rodenstock, this guy wouldn't have had such an outstanding reputation."
The heart of Koch's complaint is that Broadbent overlooked any doubts on the authenticity of the Jefferson bottles. Would the winning bidder of the first bottle, Christopher Forbes, have paid that record price had he known that the Thomas Jefferson Memorial Foundation in Charlottesville, Va., repository of the third U.S. president's personal papers, had already questioned the wine's authenticity? Writing to Broadbent one month before the sale, a researcher at the foundation, Cinder Godwin, noted that, "Jefferson's daily account book, virtually all his letters, his banker's statements, and miscellaneous internal customs forms survive for this period and mention no 1787 vintages." This information was not revealed in the Christie's catalog copy, written by Broadbent, though there would have been time to do so. And, according to Koch, Christie's ignored further evidence that the bottles were questionable when it auctioned off two more of them in 1986 and 1987. (Wine Spectator editor and publisher Marvin R. Shanken purchased one of them.)
According to Broadbent, experts in the Christie's glass department told him that the initials on the Jefferson bottles were engraved by an old copper wheel and properly styled for the period. Even as questions mounted, Broadbent told Koch's lawyers during a 2006 interview that the bottles were "absolutely right for the period." But Koch's experts claim that the engraving was done by a modern electric drill.
Now, Koch claims he has the proof. According to his suit, two German engravers, listed as Confidential Witnesses 3 and 4, who lived near Rodenstock in the 1980s, say they were hired to engrave Jefferson's initials on the bottles. Shown photos of several of the bottles, they identified which ones were their handiwork.
The suit claims Rodenstock was a source of many counterfeits sold by Christie's, especially large-format Bordeauxs. Another Confidential Witness ("CW 6"), a printer who had made posters for Rodenstock when he was a music promoter, claimed that Rodenstock once asked him to make Château Pétrus labels for the 1921, 1928 and 1929 vintages. Rodenstock and Christie's have sold large bottles from each of those classic vintages, according to Koch's complaint. CW 6 also identified a label from a 1929 Mouton-Rothschild that Rodenstock had him reprint. Koch says he bought a jeroboam (4.5 liters) bearing that label from Christie's in October 1987 for $8,800.
Koch also bought a bottle of 1870 Lafite from Christie's for $4,200 that he alleges has age markings preprinted onto the label. Koch had the wine in the bottle tested for Cesium 137, an isotope only found since widespread atomic testing began, and the suit claims the 1870 Lafite tested positive, proving that the wine is from post-1952.
Koch says that his lawsuit against Christie's would not have been filed if the auctioneer had been willing to make peace with him. "Two years ago, I went to Christie's and said, 'you have a problem here,’" said Koch. "And I tried to negotiate, but all they gave me was gobbledygook. If I were Christie's, I'd have admitted the problem, cleaned up shop. But they're not playing that game. Christie's wine department is corrupt."
To back that up, his suit offers testimony from four confidential witnesses that are former employees of the auction house. One, according to the suit, was Broadbent's successor as head of the wine department, who told investigators that he believed several wines Broadbent authenticated were actually counterfeits.
The suit also alleges that Christie's has continued to sell counterfeits and take unnecessary risks in recent years. Last October in New York, Christie's auctioned off a trove of rare old Burgundies described in the catalog as coming from "a longtime friend to Christie's." Sources tell Wine Spectator that the "friend" was California collector Rudy Kurniawan. Six magnums of Château Le Pin 1982 consigned by Kurniawan were pulled from a 2006 Christie's auction after Le Pin's owners said they were suspect, and Acker Merrall & Condit had to pull a collection of rare old Burgundies consigned by Kurniawan for the same reason in 2008. But Christie's auctioned Kurniawan's wines twice last fall without warning bidders who the consignor was.
Responding to Koch's suit, a Christie's spokesperson said, "While we have great respect for Mr. Koch, we believe the allegations in this complaint are incorrect. We look forward to the opportunity to prove our position in court." Broadbent could not be reached through either the auction house or his son, Bartholomew, an importer in San Francisco.
Rodenstock did not respond to requests for comment. Koch's case against him is still pending in federal court. He has claimed in letters to the judge that Koch's investigators have threatened and intimidated witnesses in Germany, an allegation Koch denies.
Koch's suit will not be easy to win, legal experts say. For one thing, it will be hard to prove he was hurt by the Christie's sale of the Jefferson bottles when he bought his from other sources. And judges have dismissed some of Koch's allegations in previous suits, arguing that by bidding on wines, buyers are agreeing to the auction houses' catalog disclaimers, which say they are not responsible for the claims of the wines' provenance.
But Koch's suits have never been about verdicts, he admits. Even with punitive damages, it's unlikely he will ever see the $4 million he claims to have spent on counterfeit wines, nor the $7 million he says he has spent on investigation and legal fees. But he believes he will force the auction industry to reform. "The Jefferson bottles are part of an ongoing conspiracy of patterns and practices," said Koch. "I'm going to change that."
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