Posted: March 25, 2013 By James Laube
Posted: March 13, 2013 By Bruce Sanderson
Wine Spectator senior editor Bruce Sanderson gives his notes on the 2010 releases from Burgundy's Domaine de la Romanée-Conti. The Richebourg, La Tâche, Romanée-St.-Vivant, Romanée-Conti and more show just what could be achieved in this excellent vintage.
Posted: March 8, 2013
Posted: January 25, 2013 By James Molesworth
Posted: January 14, 2013 By Tim Fish
Posted: December 27, 2012 By Ben O'Donnell
At the Penfolds Nuriootpa winery in Barossa, you can crush 22,000 tons of grapes. At Chateau Ste.-Michelle, 2.8 million cases of wine go out the door every year. If you are Peter Gago or Bob Bertheu, head winemakers at Penfolds and Ste.-Michelle, respectively, how do you even process and track so much stuff, let alone make it good?
"That's why God created Microsoft Excel, I guess," replied Bertheu. I asked four winemakers who head up large-to-massive operations that produce dozens of different cuvées in all price ranges, from $10 quaffers on up to the storied $600 Penfolds Grange. In my previous post on the subject, I gave a sense of the scale of the task and wrote about how the four keep tabs on their growers and grapes through harvest. Now I'll explain how they juggle as many as 52 different wines at once.
Posted: December 17, 2012 By James Molesworth
Finally, after 11 straight days of all-day tasting, it was time to get some fresh air. I slammed my laptop closed to punctuate the end of the tasting, put on my vineyard shoes (it's rained steadily since I've been here and the vineyards are muddy) and headed over to Fronsac to get back in touch with terra firma. After all that, my first stop is Fronsac, you ask? Not a first-growth or Sauternes estate?
With 2,000 acres of vines and 71 producers, Fronsac is just a blip in the overall scheme of Bordeaux. It pales in size and reputation to its cross-river neighbor St.-Emilion, for example, and the wines are often overlooked by the marketplace. But there must be something to Fronsac, if Michel and Dany Rolland call it home.
Posted: December 13, 2012 By James Molesworth
I spent the last few days of my 2010 Bordeaux tasting by working through the reds of St.-Estèphe and then Pessac.
The reds from Pessac, with their typically tarry spine and sometimes wild notes of tobacco and ash, were a standout group, with the fruit showing the extra amplitude of the vintage and the structure evident but well-integrated. Branon turned in a very strong showing, as did some of the usual suspects. There really were no disappointments.
Posted: December 10, 2012 By James Molesworth
I'm getting into the meat of my 2010 Bordeaux tasting now, having worked through the Right Bank wines of St.-Emilion (which takes two full days), Pomerol and their various satellite appellations. As mentioned briefly in my last blog, the wines are showing very, very well.
I have started in on the Left Bank now, tasting wines from the Médoc, Graves and Margaux. The highlights so far, though, have come from Pauillac and St.-Julien.
Posted: December 7, 2012 By James Molesworth
Posted: December 5, 2012 By James Molesworth
I arrived as scheduled in Bordeaux - just on time for lunch. I like to plan things like that...
My annual in-bottle Bordeaux tasting is easily the biggest and longest single tasting I do. When in my New York office, I taste every day, but perhaps only 20 or 30 wines a day. When I travel in the Rhône, I may taste dozens of barrel samples in a day, but I'm not writing formal notes or reviewing those wines, since they are unfinished, sometimes just lots of pre-blends, and not tasted blind. That makes the Bordeaux tasting unique.
Posted: November 30, 2012 By Augustus Weed
Posted: November 26, 2012 By MaryAnn Worobiec
Posted: November 20, 2012
Posted: November 19, 2012
Posted: November 16, 2012
Posted: November 15, 2012
Posted: November 14, 2012
Posted: November 12, 2012 By Dana Nigro
Posted: October 24, 2012 By Tim Fish
California Merlot falls into three basic categories: the easygoing values, the expensive Cabernet-wannabes and that big void in the middle that’s a stylistic roll of the dice. For my annual Merlot report, I tasted nearly 200 wines, and I give the lowdown in the Nov. 30, 2012, issue of Wine Spectator.
Since the high-tech proletariat seems to throw around the most weight on the Internet, I thought I’d focus today on Merlots that cost between $10 and $20. In years past, that has not always been easy, but the 2009 vintage is so good that even the value Merlots are tasty. (A few early-release 2010s show promise as well.)
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