Posted: March 14, 2013
Posted: March 13, 2013
Clos Fourtet is coming to the big screen near you. Also in this week's Unfiltered, Danny Glover launches a wine for a cause, the Chinese make illegal tiger bone wine and science opens eyes to the secret behind beer goggles
Posted: March 7, 2013
Posted: March 4, 2013 By Suzanne Mustacich
Posted: January 28, 2013
Posted: January 25, 2013 By James Molesworth
Posted: January 24, 2013
Posted: January 24, 2013 By Suzanne Mustacich
Posted: January 22, 2013 By Ben O'Donnell
Walkaround wine tastings and by-the-glass pours are a bit like movie trailers. You catch a glimpse of what to expect. Probably you can even tell whether you like it enough to buy a ticket. But to see the full picture, so to speak, you need to see how the wine drinks with food, how it develops in the glass and the cellar. You need multiple screenings.
Unfortunately, when tickets start at around $40, "moviegoing" becomes an expensive hobby. For many wine regions and styles in the world, this is about the entry-level price for a bottle in the U.S. market. But it's possible to get a sense of the techniques in the vineyard and the winery, the grapes, the quality of the vintages and even a bit of the terroir of the greats without dropping more than $20 on a bottle-benchmarking on a budget. In an earlier post, I recommended crémant de Bourgogne from Burgundy's "Golden Gate" as a cousin to Champagne and Lirac for a taste of what Châteauneuf-du-Pape is all about.
I'm going to take a slightly different tack here. You can benchmark on a budget for Sauternes by drinking ... Sauternes.
Posted: December 26, 2012 By James Molesworth
On my last full day in Bordeaux, the sun finally came out. What a tease. Because instead of kicking the dirt in the vineyards today, I was back inside, sitting down with Nicolas Thienpont and David Suire to taste a vertical of Château Larcis Ducasse. Vertical tastings always make me wish I could taste the old vintages when they're young and the young vintages when they're old, and that was just as true today. The oldest four vintages were all beautiful wines, that showed divergent vintage character while surviving extended cellaring thanks to the force of terroir. The youngest vintages showed how the property is getting a dust off and reemerging to reclaim its position among the elite of St.-Emilion. Here are my scores and tasting notes for 19 vintages of Larcis Ducasse, beginning with the 1955.
Posted: December 21, 2012 By James Molesworth
Thomas Duroux has become one of my favorite winemakers in Bordeaux. He likes jazz. He thinks. He experiments. Oh, he also happens to make some compelling wine. Perhaps that's because he takes his time and he doesn't seem to get ruffled by anything. At Château Palmer, the third-growth estate located in the Margaux appellation, he dealt with hail in 2011 that lowered his yields in that and the ensuing 2012 vintage as well, to 2 tons and 1.5 tons per acre, respectively.
Posted: December 19, 2012 By James Molesworth
On yet another of Bordeaux's raw, rainy days featuring a knifing wind, Christian Moueix wanted to show me his latest acquisition, a stunning 4.68-acre parcel located right in front of the famed cellar of Le Pin in Pomerol. Later that day, I headed over to meet with Comtes Stephan von Neipperg, owner of châteaus Canon-La Gaffelière, La Mondotte and several others on the Right Bank.
Posted: December 17, 2012 By Suzanne Mustacich
Posted: December 17, 2012 By James Molesworth
Finally, after 11 straight days of all-day tasting, it was time to get some fresh air. I slammed my laptop closed to punctuate the end of the tasting, put on my vineyard shoes (it's rained steadily since I've been here and the vineyards are muddy) and headed over to Fronsac to get back in touch with terra firma. After all that, my first stop is Fronsac, you ask? Not a first-growth or Sauternes estate?
With 2,000 acres of vines and 71 producers, Fronsac is just a blip in the overall scheme of Bordeaux. It pales in size and reputation to its cross-river neighbor St.-Emilion, for example, and the wines are often overlooked by the marketplace. But there must be something to Fronsac, if Michel and Dany Rolland call it home.
Posted: December 13, 2012 By James Molesworth
I spent the last few days of my 2010 Bordeaux tasting by working through the reds of St.-Estèphe and then Pessac.
The reds from Pessac, with their typically tarry spine and sometimes wild notes of tobacco and ash, were a standout group, with the fruit showing the extra amplitude of the vintage and the structure evident but well-integrated. Branon turned in a very strong showing, as did some of the usual suspects. There really were no disappointments.
Posted: December 10, 2012 By James Molesworth
I'm getting into the meat of my 2010 Bordeaux tasting now, having worked through the Right Bank wines of St.-Emilion (which takes two full days), Pomerol and their various satellite appellations. As mentioned briefly in my last blog, the wines are showing very, very well.
I have started in on the Left Bank now, tasting wines from the Médoc, Graves and Margaux. The highlights so far, though, have come from Pauillac and St.-Julien.
Posted: December 7, 2012 By James Molesworth
Posted: December 6, 2012 By Suzanne Mustacich
Posted: December 5, 2012 By James Molesworth
I arrived as scheduled in Bordeaux - just on time for lunch. I like to plan things like that...
My annual in-bottle Bordeaux tasting is easily the biggest and longest single tasting I do. When in my New York office, I taste every day, but perhaps only 20 or 30 wines a day. When I travel in the Rhône, I may taste dozens of barrel samples in a day, but I'm not writing formal notes or reviewing those wines, since they are unfinished, sometimes just lots of pre-blends, and not tasted blind. That makes the Bordeaux tasting unique.
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