Posted: June 26, 2013 By Tim Fish
Nail biting over the wine to drink with Thanksgiving dinner pales next to the challenge of pairing wine with a classic Fourth of July barbecue. That's one reason so many Americans reach for a beer.
I'm something of an anarchist when it comes to food and wine. There's too much fuss put into finding the seamless match in my view. Seamlessness is boring. I prefer a wine that offers a playful contrast and enhances the food or brings out something new.
And face it, if you can't be playful and have fun with food and wine on July 4, then you don't deserve to watch the fireworks.
Posted: June 24, 2013 By Bruce Sanderson
In 1995, Vittorio Frescobaldi of Italy's venerable Marchesi Frescobaldi joined forces with Napa Valley icon Robert Mondavi to produce a Tuscan red called Luce della Vite. The grapes came from vineyards in Montalcino, adjacent to the Frescobaldis' Castelgiocondo estate.
Luce debuted two years later with the 1993 vintage. There is also a second wine called Lucente produced from the same vineyards. Earlier this year in New York, Lamberto Frescobaldi, vice president of the company in charge of production for Marchesi Frescobaldi, presented a vertical tasting of every vintage of Luce from the past 20 years, exclusively for Wine Spectator. Here are my scores and tasting notes.
Posted: June 20, 2013 By Ben O'Donnell
"We have chaptalized. We have done in it California, on rare occasions, but we have, and we've done it in wines from Oregon, again on fairly rare occasions." That's probably not something you'd expect to hear from any veteran winemaker, much less Adam Lee, co-owner of Siduri and Novy Family, whose current releases total 37 single-vineyard and appellation bottlings, from the Sta. Rita Hills in California's Central Coast up to the Chehalem Mountains, in Oregon's Willamette Valley. After all, in California, chaptalization—the addition of sugar during fermentation—has long been illegal.
It's time to change that.
Posted: June 19, 2013 By Tim Fish
It's good to see that Americans are beginning to ignore one of the long-standing "rules" of California wine—that it has to be varietally specific: Cabernet Sauvignon, Chardonnay, etc.
Blends have been a no-no, particularly when it comes to value wines, but America is now more confident and comfortable with wine, and we no longer have to live down the days we swilled cheap "Hearty Burgundy" and generic jugs of "Chablis."
Millennials, the industry is learning, are open-minded about blends, and that changing mindset has lead to a new generation of value-oriented California red blends.
Posted: June 18, 2013 By Harvey Steiman
After offering my take on ingredient labeling for wine, I got to thinking about why this is such a vexing issue. We do, after all, want to know what goes into what we consume, including wine. The tricky aspect for wine, of course, is that what goes in does not necessarily wind up in the bottle.
All of the adjustments winemakers can apply to wine remind me of what can happen in making music recordings. It's an apt analogy on several levels. One can even argue that, as humans, we need music as much as we need food and wine. At least some of us do.
Here's the thing. Just as manipulations in the winery can make a wine seem like more than what the vineyard actually produced, what we hear on most recordings is not exactly what the musicians actually played and sang. Sophisticated electronic and digital processes add reverberation, replace flubbed notes, and these days can even modify pitch to get a sour note in tune.
Posted: June 18, 2013 By Mitch Frank
Every third day, I play my version of wine roulette, uncorking a bottle I first opened two days earlier and seeing if the last one or two glasses worth of wine at the bottom still taste good. Most recently it was a bottle of RdV Vineyards Lost Mountain Red, a lovely Bordeaux blend from Virginia's emerging Middleburg area. (RdV employs Eric Boissenot, a Bordeaux winemaking consultant I profiled in our June 30 issue.)
When faced with an unfinished bottle, I shove the cork back into place and put the bottle in the fridge. I know, I could pour the leftover wine into a smaller bottle or try some fancy inert-gas device; some of my colleagues have been known to freeze leftover wine. But I've settled on the cork-it-and-cool-it technique, and it works most of the time if I drink the wine within three days. Sadly, this time it failed. The RdV was bright at first, but the finish held a touch of vinegar. It wasn't the wine's fault—it was probably too much air and not enough wine.
Posted: June 17, 2013 By James Laube
There are so many things that Neyers winery is doing right these days that it's hard to know where to begin. Bruce and Barbara Neyers have been married for 46 years, sweethearts since they were teens; they have three children and reside at their winery in Conn Valley, a slender offshoot midway through Napa Valley.
What impresses me about their winery goes beyond the quality of the wines, which is often exceptional, and extends to the sensibility of pricing.
Posted: June 6, 2013 By Harvey Steiman
Ingredient labeling for wine seems to make perfect sense, but the devil is in the details. Despite several concerted attempts, some dating back 40 years, it hasn't happened yet, in part because making wine is not like bottling soda pop or mixing cereal. In those, ingredients are the same as contents. Not so with wine.
Wine is a product of fermentation, and not everything that goes into it comes out in the end. And alcohol, one of wine's prime constituents, is not added to table wines. It results from fermenting the sugar in grapes. How to handle those pesky details has derailed previous attempts at ingredient labeling for wine.
Posted: May 30, 2013 By James Molesworth
Wine Spectator senior editor James Molesworth is in California, where he visited with Jasmine Hirsch of Hirsch Vineyards on the Sonoma Coast and tasted a lineup of their Pinot Noirs. Here are his tasting notes.
Posted: May 30, 2013 By Robert Taylor
The last time you had friends over, you probably made a run to the supermarket for supplies before playing the good host. If you live in Pennsylvania, it wasn't so easy. You drove to the supermarket, you drove to the state beer distributor and you drove to the state wine and spirits store. Pennsylvania is one of the few remaining "control" states, meaning that the state exerts direct control over alcohol sales.
Sound like a wasteful, inconvenient and costly hassle?
Most Pennsylvanians think so. The governor and lieutenant governor think so. Most of the Pennsylvania House of Representatives thinks so. Labor unions do not, however, and their full-throated opposition has stymied a proposal to privatize alcohol sales in the state Senate. Despite all the initial support, the longer the debate drags on, the further Pennsylvania seems to be from privatizing its alcohol distribution and sales. For the consumer, that means limited selection and more hassle.
Posted: May 29, 2013 By Tim Fish
You've missed a lot if you haven't followed Zinfandel the past few years. A quiet revolution has been going on in California, as a group of Zinfandel firebrands are raising the bar on quality. It's something I've written about as far back as 2009, but it's finally seeing fruition.
I explore the trend more thoroughly in "Zinfandel Renaissance," part of the cover package for the June 30 issue of Wine Spectator. The cult favorite and distinctly Californian wine just may be poised for a long-deserved mainstream revival.
Posted: May 28, 2013 By Harvey Steiman
The National Transportation and Safety Board recently recommended lowering the maximum allowed blood alcohol concentration (BAC) for drivers to 0.05 from its current 0.08. Beer and restaurant industry groups called foul. So far official voices of the wine industry have been silent.
For me it's simple: I don't want to be the cause of someone's death if I can help it, and I can minimize that risk if I don't get behind the wheel buzzed. If I am driving, I simply won't take that extra drink. That's my choice. The sticky issue is whether the law should be tightened.
Posted: May 24, 2013 By Harvey Steiman
It was in Barcelona that I realized why they call it a tapas bar. You know what it's like in a crowded pub, the crush of humanity trying to get the bartender's attention over the happy buzz of the drinking crowd? The shoulder-to-shoulder throng pressed together in tiny El Xampanyet, near the Picasso Museum in Barcelona's Barrì Gotic, had the same vibe on a rainy Saturday afternoon. I could not fathom how a barmaid, er, waitress, could possibly get plates of croquetas and pintxos, not to mention glasses of cava, to those who ordered them.
Somehow Barcelona denizens, happily regaling each other in Spanish and Càtalan, navigate these treacherous scenes with aplomb. Here are my notes of five of the more popular tapas bars.
Posted: May 23, 2013 By James Laube
The summer 2008 wildfires in Sonoma County have claimed another victim: Marcassin Pinot Noir.
The winery has decided not to release its 2008 vintage, it announced in its latest newsletter. "We are passing on the 2008 Pinot Noirs," wrote John Wetlaufer, who owns the Sonoma winery with his wife, winemaker Helen Turley.
Posted: May 23, 2013 By Jennifer Fiedler
A disclaimer first: Reality TV is generally not my bag. But I happened to catch some of The Voice recently, and despite not being involved in the worlds of a cappella/musical theater/pop vocals (I can't sing to save my life), I have to admit that I found it super compelling. Then I started wondering what it would look like as a wine show.
Posted: May 22, 2013 By Tim Fish
Memorial Day is not the time to over analyze your wine. Save that for a first-growth tasting or the next natural wine seminar. Summer is finally here, so just relax and enjoy.
Two words come to mind when I think of Memorial Day wine: easy and familiar. By "easy," I mean user-friendly, a good quaff to share with friends and family that doesn't cost a lot. And "familiar" means an old favorite, a wine you can trust not to disappoint you … or your guests or host.
I can't help you with the "familiar"—to each his own—but I'll share a few of my own later. I'll start with "easy," because there is no shortage of good, tasty value wines on the market right now. Here are 13 wines to kick off summer this Memorial Day weekend.
Posted: May 21, 2013 By Ben O'Donnell
The wine biz has spent several years now wringing its hands over What to Do About Millennials. Not so long ago, it was a received truth of this big, problematic, new generation of wine drinkers that they dismissed Bordeaux as an old man's game. But stop in at any Bordeaux walk-around tasting and it's immediately obvious that both sides of that formulation are wrongheaded today: More and more, what young Americans drink, young Frenchmen (and women) made. I asked a few of these young Bordelais what it's like trying to fit 2,000 years of tradition into our modern wine climate.
Posted: May 16, 2013 By Harvey Steiman
Near as I can tell, Ridge Vineyards started the trend. Saxum does it too. Andrew Will pioneered it in Washington, where Cadence followed suit, and Owen Roe is the latest to jump in. These are all first-class wineries, and they independently came to the same conclusion: That for these wines they would rather blend grape varieties from a single vineyard to a site-specific wine than make a series of vineyard-designated varietals.
It struck me, as I removed the bag in yesterday's blind tasting from Owen Roe's Cabernet Sauvignon-dominant blend simply called DuBrul Vineyard, that this is becoming a separate category. And yet, we don't have a name for it.
Posted: May 16, 2013 By Mitch Frank
Like most wine regions, Bordeaux has an annual rhythm. When the grapes ripen, it's time for harvest, or vendange. After the wine ferments, they pour it into oak barrels for élevage. With February, blending, or assemblage, begins.
May brings another annual Bordeaux ritual. Sadly, I don't know the French word for whining.
Posted: May 15, 2013 By James Laube
Anyone who pays attention to wine ratings knows one thing: Critics are giving more 100-point scores than ever before. Are there really so many more “perfect” wines today than in the past?
It’s indisputable that wines are better now than a generation ago. Vineyard management, winery technology, winemaker skill – all have progressed. And as wines have improved, ratings as reflected by scores have risen. Simply put, there are more 90-point wines, those wines of outstanding quality, today than in the past.
Yet there is something else going on. The surge of 100-point ratings is about much more than wine quality. In fact, it has little to do with the wine in the bottle. Awarding a wine a perfect rating is a powerful statement. It brings attention to the wine and the winemaker – and also to the critic.
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