Thomas Duroux has become one of my favorite winemakers in Bordeaux. He likes jazz. He thinks. He experiments. Oh, he also happens to make some compelling wine. Perhaps that's because he takes his time and he doesn't seem to get ruffled by anything. At Château Palmer, the third-growth estate located in the Margaux appellation, he dealt with hail in 2011 that lowered his yields in that and the ensuing 2012 vintage as well, to 2 tons and 1.5 tons per acre, respectively.
"That wasn't a fun call, when I had to tell the shareholders what the yield was in '11 and then in '12," he said, in his usual moderated tone and cadence.
A new barrel room is being constructed—a minor renovation turned major when exploratory work revealed an entire new roof was needed. The cuverie and first-year cellar was recently redone,. and Duroux has all the toys he could need, including specially adapted pump nozzles that can be adjusted for spray patterns in the vats during rémontage (pump-over).
"It depends on how full the vat is," he explained. If the cap is far away and the wine has to fall a ways into the vat first, we want the spray to be precise and gentle, not spraying up all over the inside walls of the vat. If it's close, we can manipulate the spray so that it covers all of the cap evenly. We can then do less actual pumping over to have the same effect as a normal rémontage, so a more gentle and more precise extraction. It's all about working better, more efficiently, more precisely to make a better wine."
To that end, one of Duroux's pet projects in 2012 was to work with an optical sorter. The machine, which uses a laser to scan and sort fruit based on user-input specifications for berry size, color, shape, etc., has become a recent rage in Bordeaux. In vintages like 2009 and '10, when the fruit came in clean and ripe, there was little need for one. But in years like 2011 and '12, châteaus were suddenly scrambling to rent the machines. They can sort much faster than a sorting table staffed by people, and there's a sense that the machine doesn't fail, whereas humans can get tired or lose focus. But at what price does precision become too precise, a question I've asked winemakers in the region often. Does a reliance on technology always help, or can it hurt, removing character from a wine?
"Well, to be honest, it was interesting," said Duroux about the trial. "For every 6 kilos of grapes that went through the sorter, it took out only 10 grams of material, so it really wasn't that much. But still, I wondered, what effect does losing that 10 grams have in the wine? So, I vinified two lots, same fruit, one sorted and one not sorted."
And then it was blind tasting time, as Duroux drew samples from two barrels, side by side. He didn't tell me which had been sorted. One was pure, fruit-driven, with distilled cassis and violet essence and a very polished feel. The second sample was more energetic though, with brighter flavors, livelier texture and more vibrancy all around. I figured that was the sorted batch - it seemed to have more life, and I assumed it was a result of pulling out more modestly ripe fruit or the occasional jack stem. But, I was wrong. (See the video below of our tasting of the two experimental lots.)
"I was surprised a bit too," said Duroux. "The sorted lot is the one with the very polished feel. It's lovely fruit, but I agree, it lacks some of the energy of the non-sorted fruit. So, we have to see, what will these lots do over the course of the élevage? It's not a magic tool. We need to take our time and understand these things."
From there we tasted through several barrels of the nascent 2012 vintage—a Burgundian or Rhône-styled tasting that I love, but actually rarely get in Bordeaux, where most producers prefer to only show their wines when they are closer to being a final blend. (Bordeaux is sometimes the vinous equivalent of that guy who wears a tie everywhere and never dresses down, but you wish he would just lighten up a little bit, just once.)
A sample of 2012 Merlot, with its malolactic completed and a recent sulphur addition, shows some lush fruit up front, but then a slightly angular finish, likely from the recent sulphur. Another sample of '12 Merlot, from the heart of the vineyard, has nice tension and drive, with dark fruit.
"Its very different, from Merlot to Cabernet in '12," said Duroux. "The Merlot is more like '09, stylistically, not qualitatively, while the Cabernet is more like '08. The Merlot ripened early and we could bring it in before things got difficult in later September and October. The Cabernet we had to pick our spots."
Ultimately, that puts Palmer in a good spot for 2012, since the estate normally relies heavily on Merlot for its final blend.
As I noted the hard angle that sulphur gave to the wine shortly after it's added to the barrel (this is not a surprise, but a fact of winemaking, that sulphur, while necessary to stabilize a wine, isn't ultimately the best thing for us or the wine), Duroux recounted another experiment he'd been working on.
"In '11, we used some selected yeasts on some lots and found that the wine was much easier to stabilize with lower sulphur levels. So in '12, we've done that for all the wine—we used selected yeasts and then were able to use less sulphur. Now, sometimes people think selected yeasts are bad, but they are natural. They've just been propagated for use, rather than occurring naturally in the vineyard or winery. So, I don't have a problem with using selected yeasts, especially if it means I can use less sulphur."
Duroux is also working biodynamically on some parcels, and we tasted a sample of 2012 Merlot from one. It's broader in feel, with more overt tobacco and earth notes, though not as dense as some of the previous lots.
"That's like with the optical sorter lot," said Duroux. "I don't think it's better or worse than the others, but different. And we need to figure out why and if it's something we want to include."
A sample of 2012 Cabernet Sauvignon, from a biodynamically farmed parcel, is nervy and crisp, with a briary finish, while a sample of 2012 Cabernet Sauvignon from the heart of the vineyard shows good snap to its red currant fruit, with fine-grained tannins.
We also tasted a sample of 2012 Petit Verdot, which shows racy, ripe cassis bush notes, no easy feat considering the grape ripens very late and is very thin-skinned—not ideal for a vintage like 2012, when the weather broke down at the end and there was a lot of disease pressure.
"Yeah," said Duroux with an air of relief. "We really had to sort that."
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Brian Loring — Lompoc, CA, US — December 21, 2012 3:06pm ET
Joseph Byrne — CA — December 21, 2012 3:29pm ET
James Molesworth — New York — December 21, 2012 5:07pm ET
Vince Liotta — Elmhurst, Il — December 21, 2012 8:49pm ET
Jim Mason — St. John's, Canada — December 22, 2012 7:37am ET
James Molesworth — New York — December 22, 2012 8:48am ET
James Molesworth — New York — December 22, 2012 8:52am ET
David A Zajac — Akron, Ohio — December 22, 2012 11:20am ET
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