Why can't Australia solve the Pinot Noir equation? Oregon has. California has. New Zealand has. But you can count on your fingers the outstanding Pinot Noirs from Oz that we can find in America.
I've had several conversations with winemakers, wine writers and folks in the wine business here, and I am convinced that most Aussies haven't a clue what great Pinot Noir is all about. Yes, the Pinots are getting better. But the makers who are getting it right seem to know a secret.
What do they know? That young Pinot Noir should taste like fruit, and it should balance its acidity, tannins and alcohol so the structure does not get in the way of the flavors. It's about a combination of texture and flavor that feels delicate but gets really generous when you least expect it. The great ones just explode with flavor without losing their essential harmony and grace. Most Aussies I talk to seem to have a different idea.
Over dinner with a prominent Australian wine writer, I was surprised to hear him reject outright Pinot Noirs that taste of blackberries or plums. "Too ripe," he says. "They lack finesse." Oh yeah? Tell it to Romanée-Conti. He also demanded that Pinot Noir be silky and delicate. Tell that one to the makers of wine from the hill of Corton.
And that's just using Burgundy as a model. As California has shown, you can make compelling wine on a different scale. They may not all be to my taste (I prefer more graceful versions), but I recognize their power. It's better in Oregon. New Zealand is coming on strong now, once it got past the idea that Pinot Noir had to be sharp and tangy (and, too often, thin).
That particular Aussie writer is not an anomaly. Most of his brethren here in Oz have the same view, and the winemakers have responded with either nice Pinots with little excitement (most of Tasmania) or faulty wines loaded with earthy character (Victoria). I have always had a problem with some of the icon Victorian Pinot Noirs such as Bass Phillip, Bannockburn, Mount Mary and Giaconda. They get it right occasionally, but they seem to go for earthy complexity early on that makes some vintages downright weird. And they seem willing to sacrifice flavor for acid.
Some of the wines I tasted over the past few days give me hope. I drank a lovely 2005 reserve from Coldstream Hills over lunch with James Halliday, who sold his Yarra Valley winery to Southcorp (now Foster's), but still lives on the property and retains a personal interest in the wines. To my taste the 2005 reserve is the best wine Coldstream has made. It has ripe currant and plum flavors and remains utterly graceful through the long finish.
I visited Michael Dhillon at Bindi in Macedon, about 45 minutes northwest of Melbourne. He now has responsibility for the vineyard planted on a picturesque corner of the farm that his family has owned for generations. The north-facing slope drinks up the sun and the vines root in dirt scattered with gleaming white quartz. Yields are naturally low, flavors are intense.
The young wines are light on the palate and show pure plum and black fruit character. Dhillon opened some older bottles, which still show ripe fruit amid layers of spice and earth. The balances are impeccable.
At Kooyong, on the Mornington Peninsula south of Melbourne, the young wines show a welcome minerality against flavors that range from raspberry to plum. Older wines are not so good, because winemaker Sandro Mosele has only recently gotten the yields and the winemaking in tune. Some of the older wines have a green edge, probably from overcropping, and they miss on the texture. But starting with 2004, he got it right. This is a winery to watch, especially since it has 200 acres to play with.
Its near neighbor, Yabby Lake, is another relatively large operation, financed by movie theater mogul Robert Kirby (more about him in a later blog). Tod Dexter makes the wines and vineyard manager Keith Harris tends 100 acres of vines that spill down slopes that can see the ocean from their hillside perch. First vintage was 2002.
Although the Yabby Lake Chardonnays are still works in progress, the Pinots have been successful since day one. The predominant flavors are plum and currant, sometimes cherry. They're gentle on the palate and achieve silky tannins.
Dexter has been chasing Pinot Noir for two decades on Mornington Peninsula. After he worked seven years for Cakebread in Napa Valley, he came back to his native Australia to make the wines at Stonier's for 12 years.
"We tried everything at Stonier's," he says. "We threw in stems, we cold soaked, we used whole bunches, we tried roto-fermenters, we manipulated temperatures. In the end, it's knowing when to pick, waiting for the green flavors to go away, but not so long that the alcohol gets to be too much.
"And gentle handling in the winery," he adds. "All that manipulation was taking something away from the wines."
That sounds familiar. It's what good Pinot Noir makers everywhere have come around to after all their experimentation.
Australia has no shortage of appropriate places to grow Pinot Noir. Mornington and Macedon are capable. So is Yarra. There are pockets of cool climate regions all over central and southern Victoria. Now comes the hard work of getting it right. Stay tuned.
Harvey Steiman — San Francisco, CA — April 27, 2007 10:01am ET
Dave Joyce — Winston-Salem, NC — April 28, 2007 8:19pm ET
Harvey Steiman — San Francisco, CA — April 30, 2007 2:10pm ET
Dave Joyce — Winston-Salem, NC — May 1, 2007 6:44pm ET
Brad Edgerton — Beverly Hills, CA — May 12, 2007 5:33pm ET
Harvey Steiman — San Francisco, CA — May 12, 2007 10:08pm ET
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