Some of us believe that Duke Ellington was America's greatest composer, even though he wrote in an idiom that many people then (and now) do not consider serious enough—jazz. His being something of an outsider, both because of his race and his musical genre, probably prompted his most famous quote, that "there are only two kinds of music: good music, and the other kind."
It's a telling remark, one that resonated with me the first time I ever heard it as a music student. I like to quote it today, when the diversity of the music we can pipe through our iPod earphones covers a range even the Duke couldn't imagine.
The same could be said about our favorite beverage. We can experience a wider choice of good wines today than ever before. And we are having the same kind of arguments over how to define good wine as those we had over just what constituted good music in Duke Ellington's day, or today, for that matter.
If you’re joining us this week at the New World Wine Experience at the JW Marriott Hotel in Los Angeles, and you’re staying downtown for the event, you can find a good selection of restaurants, from casual to fancy, in the neighborhood.
After tasting select wines from barrel last year, I said that 2010 would be a polarizing vintage for Oregon’s Pinot Noirs. Those who crave delicacy in Pinot Noir, who prize pretty aromas and flavors, will love it. Others may find it wimpy and wonder what all the fuss is about.
Now that I have blind-tasted out of the bottle more than half of the 2010s I expect to review, I still believe that. Time after time I hesitated after writing a tasting note that described the charms of pretty fruit character, delicate structure, and a welcome sense of transparency to it all. Lovely wines, but I wondered, did they have the depth, the length, the complexity to qualify as great? These elements make a wine truly memorable.
The answer, more often than not, was yes, although more than a few of the wines came up just a bit short on those factors.
Jason Lett has been working on a project, tasting through every single bottle of Eyrie Vineyard’s library wines, then recorking them. The collection represents one of the true treasures of American Pinot Noir, hundreds of bottles that testify to the longevity and quality possible in Oregon.
When he has time, Lett opens eight cases of a vintage to recork. It takes about half a day and most of the time 90 percent of the bottles are just fine. Sometimes, he said, “only half will be correct for the vintage,” an experience that has led him to reseal the bottles with a cork alternative called Diam, a conglomerate cork that promises zero cork taint.
Jason’s father, David Lett, one of Oregon’s earliest pioneers, founded Eyrie in 1966, and made the wine that called the world’s attention to what was happening with Pinot Noir in Oregon—Eyrie Vineyard Pinot Noir Oregon South Block 1975, from a portion of the estate vineyard in what is now known as the Dundee Hills AVA.
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