
Whenever I hang out with serious coffee people, I am struck by how much we wine folks have in common with them. We obsess over the sources of the product and how it was made. We even use some of the same language. Coffee tasters assess acid balance, body, intensity and finish, as we do with wine, and describe aromatics such as fruit, nuts and floral notes. They might find winy character in their brews while we might notice a hint of coffee on the finish in our glasses.
I watched my cousin Shawn Steiman, a coffee consultant who seems to be the coffee guru for the state of Hawaii, blend Hawaiian-grown and -roasted coffee beans on the spot. He used to make a distinctive and heady espresso after the dinner he and his bride Julia cooked for my wife and me at their home near Diamond Head.
Matt Penman pulled the cork on a Huët Vouvray Le Haut-Lieu 2011, poured me a sip and apologizes for the glassware. "I'm sorry for the plastic cups, but they won't let us have real wineglasses here."
We are in the green room in the new SFJAZZ Center, which bills itself as the first concert hall of its type in the United States: a freestanding performance venue with flexible seating and staging for artists of every stature, built specifically for jazz music and audiences alike. It opened recently in San Francisco on the corner of Franklin and Fell streets with a series of all-star concerts.
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