Posted: August 21, 2013 By Harvey Steiman
I love science. I grew up reading Isaac Asimov essays, and I lap up the latest scientific papers about wine. I came across the following nuggets in recent weeks, ranging from intriguing to frankly frivolous. Each one of them got me thinking. Maybe they will for you too.
Posted: August 2, 2013 By Harvey Steiman
Every state in America makes wine. So everywhere I go, I try to taste at least a few examples of the local product. As my wife and I spend several weeks every summer in the Colorado Rockies, we have been exposed to Colorado bottlings from time to time. I've ordered glasses or bottles of local wines in places such as Arizona, Texas, Michigan, Maryland and Virginia, which get little respect except for a relatively few supporters. Generally I find what I've tasted likable enough. But two big questions keep me from hopping up and down with excitement. I ran into both of those questions as I tasted through a representative sample of 10 Colorado wines with Kyle Schlachter of the Colorado Wine Press website.
Posted: July 22, 2013 By Harvey Steiman
Posted: July 19, 2013 By Harvey Steiman
Aspen, Colo., tucked high in the Rocky Mountains, may not be an ideal indicator of economic trends in America. But at the luxury hotel the Little Nell, the expensive wines have started to fly out of the cellar. It has sommelier Carlton McCoy shaking his head in wonder.
Bottles and magnums of first-growth Bordeaux and big-name Burgundy stud a 700-bottle glassed-in wine storage unit that holds a bottle or two of the most-ordered wines and some top-shelf labels. It runs the length of a cocktail bar at the entrance to Element 47, the awkwardly renamed restaurant that won a Wine Spectator Grand Award as Montagna, its previous incarnation.
Posted: July 10, 2013 By Harvey Steiman
Washington wine writer Paul Gregutt got himself into quite a kerfuffle earlier this year when he sprung Waitsburg Cellars onto the world.
The longtime resident of the Evergreen state is a veteran critic and author of Washington Wines and Wineries, the definitive book on Washington wine, whose wine reviews appeared on his own blog and in several print publications. He had never been a winemaker, but in 2011 partnered with Precept Wines, the state's third-largest wine company, to craft his own wines for the new label. Questions were raised. Could a wine critic also be a winemaker without raising conflict-of-interest issues? Could an untrained neophyte's wines be any good?
Well, I tasted them blind with their peers, as we always do around here, and I can say they are better than good.
Posted: July 3, 2013 By Harvey Steiman
The news media has jumped on a new study of judges at the California State Fair wine competition as evidence that all wine tasting is baloney. But the author of the study says that's not what he meant. Not by a mile.
Posted: July 3, 2013 By Harvey Steiman
Posted: June 30, 2013 By Harvey Steiman
Posted: June 28, 2013 By Harvey Steiman
This story should sound familiar to anyone who has fallen for the world of wine. One day about a decade ago, a budding opera singer and his wife were sitting outside a caffè in Rome. "I had quit drinking in my very early 20s due to the financial constraints of college and grad school," said Matthew Polenzani, "but on a beautiful warm evening the moment called for a nice glass of wine. We've never looked back."
Posted: June 18, 2013 By Harvey Steiman
After offering my take on ingredient labeling for wine, I got to thinking about why this is such a vexing issue. We do, after all, want to know what goes into what we consume, including wine. The tricky aspect for wine, of course, is that what goes in does not necessarily wind up in the bottle.
All of the adjustments winemakers can apply to wine remind me of what can happen in making music recordings. It's an apt analogy on several levels. One can even argue that, as humans, we need music as much as we need food and wine. At least some of us do.
Here's the thing. Just as manipulations in the winery can make a wine seem like more than what the vineyard actually produced, what we hear on most recordings is not exactly what the musicians actually played and sang. Sophisticated electronic and digital processes add reverberation, replace flubbed notes, and these days can even modify pitch to get a sour note in tune.
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